• 7 Ways of emptying myself—(2021)—
  • 7 Ways of emptying myself (XR Version)—(2021)—First an inhaling breath, then an exhaled hum, holding a single continuous pitch as the breath slowly drains. As the voice repeats the same action, its sonic texture begins to expand and harmonize. The harmonic frequencies resonate and sustain, as the voice action continues to repeat itself in fixed intervals. We see a football pitch covered in red, clay-like chairs ranging in various forms and sizes. Surrounding the football pitch are three large, curved billboard screens, and a fourth, circular screen pointing downward from above. We see a video of a man performing the same gestures as the 3D character below. The man’s body is overlaid on top of a bright, saturated color background: First red, then yellow, blue, bright turquoise, silver, electric violet, and green. Back on the football pitch, the 3D character continues to multiply. The multiples roam around, performing seven balancing and stretching gestures. They occasionally bump into one another, as well as the clay chairs, knocking them over, and sendi
  • Photo credit: ©Ollie HarropPhoto credit: ©Ollie HarropPhoto credit: ©Ollie Harrop7 Ways of emptying yourself—(2021)—Printed text on toned paper, cardboard, mirror, shoe markings on wall. Dimensions variable Paper stack: 6 inches at initial height x A3 page size, installation views: Cromwell Place, London, UK
  • Code Poems—(2021)—HD Video with sound, duration 12’58”, A video about a hidden gestural language and decoding masculinity through CG reenactment, assembled and manipulated found imagery and archival audio from performance workshops.
  • Erase Yourself Myself—(2021)—Durational performance, Like a prism on a pendulum start with, Erase yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself yourself myself
  • I must abandon my vessel—(2021)—after Hannah Weiner
  • If it has to assert itself—(2021)—his feet are blur his feet are blur his trousers are blue blue blue his leg is covered in hair hislegiscoveredinred his pallid leg is covered in red his pale skin is covered in auburn hair in a hairless patch thereisbluehandwrittentext hair covers theouter p e r i m e t e r o f h is knee thetextcurlsaround theedge ofhis palehairyskin
  • Your Men—(2021)—Duration 1', Collection: OneMinutes Het Nieuwe Instituut, NL
  • Marathon Man—(2020)—HD Video with sound
  • The most permanent mark—(2020)—Duration 1'35", HD Video loop with sound
  • Fast Clapping—(2019)—
  • Basix Operating Manual—(2018)—8.5in x 11in perfect bound book
  • Basix—(2017)—Installation views, 9To5TV, Atlanta, Georgia